In “Cow in City”, a richly detailed etching, the artist uses surrealist visual language to reflect on the shifting perception of cows in Indian society—from sacred companions in rural homes to voiceless strays in the urban sprawl.

"Inspired by the rustic beauty of a terracotta figurine, I translated its earthy essence into the demanding medium of intaglio printmaking. Through this exacting process, I sought to preserve not just the form but the very soul of the clay - its textured surface, warm tones, and cultural resonance now eternally captured in ink and paper. The printing plate becomes a kind of modern terracotta, its etched lines holding memory like the cracks in ancient pottery."

At the center of the composition is the decorated cow, adorned with rhythmic dotted patterns and body ornaments that reference the ceremonial treatment of cows in villages, particularly in Bihar. From its mouth emerges a loudspeaker, a surreal amplification device, representing the repressed voice of animals—now mechanically projected, perhaps too late or too distorted to be understood.

A white hand, hovering delicately near the cow’s mouth, becomes a haunting metaphor—it could be read as an attempt to silence, document, or interpret the cow’s voice. Simultaneously, a paper scroll unfurls from the left, etched with line drawings that resemble cave paintings or folktales, suggesting lost histories or documented memories.

Behind the cow is a thatched hut, a direct reference to the artist’s personal experience in Bihar, symbolizing shelter, culture, and rural purity. The black window embedded in it might represent a void—a memory, a loss, or a boundary between the past and present. Lush foliage hints at nature’s continued yet peripheral presence, now pushed to the edges of human design.

The surreal arrangement creates a dreamlike space where every object resonates with layered meaning. The composition does not merely portray a scene—it critiques, remembers, and warns. It is both personal and political, local and universal.

Technique Highlight

This artwork masterfully employs etching techniques with chiaroscuro-infused terracotta rendering, seamlessly merging traditional artistry with technical precision. Delicate, razor-sharp linework meticulously traces the cow’s ornate motifs and textured hide, each stroke breathing life into its sacred form. Dramatic light-dark contrasts sculpt the bovine figure with arresting three-dimensionality, while warping the surrounding space into a surreal dreamscape. Even in monochrome, the burnt-amber tonalities and earthen like shading evoke the warmth of hand-fired pottery. The result is a visually hypnotic piece where technique and tradition collide, transforming the cow into both a tactile relic and a timeless symbol.

Historical Context

Set during the artist’s stay in Bihar, this work captures regional cultural heritage—where cows are still housed, adorned, and worshipped. The inclusion of the hut reflects both a literal memory and a wider metaphor for India's rural fabric.

Surrealism, originally a European movement, here takes on postcolonial Indian dimensions, where myth, memory, and critique interweave. The cow is not merely a subject—it becomes a witness to cultural transformation and ethical erosion.

Color Analysis

:Though executed in monochrome, the etching simmer with implied color—burnt umber and soot-black grooves conjuring the very earth and clay of Indian artisan traditions. Against this somber ground, a spectral white hand and unfurled scroll rupture the composition, their starkness evoking either sacred preservation or cold documentation. The violent contrasts between luminous elements (the sacred cow, fragile parchment) and consuming shadows (the blaring speaker, hollow window) mirror the central conflict: between reverence and erasure, between what society chooses to honor and what it silences. This is no mere grayscale image—it’s a visual battleground where every tonal shift weighs tradition against oblivion.

Burnt browns and blacks evoke clay and earth, grounding the work in traditional Indian craft.
The white hand and scroll stand out starkly, representing intervention, memory, or surveillance.
The contrast between light (the cow, scroll, hand) and dark (the speaker, window, and background) enhances tension between seen and unseen, said and unsaid

Symbolism

Cow in City dissects India's sacred paradoxes through surreal symbolism. The cow—once Gaumata (divine mother), now reduced to a walking relic—embodies how cultural veneration masks ecological indifference. Its terracotta-cracked skin whispers of ritualized exploitation, where worship and commodification collide. The blaring speaker doesn't amplify but distorts, forcing nature to scream through machinery to be noticed. Nearby, a floating hand etches more than records—it taxidermies tradition into archival scraps. The unraveling scroll mirrors palm-leaf manuscripts weathering into dust, their wisdom now decorative ghosts. Behind them, the hut's black window gapes like a missing tooth in rural memory, while stubborn plants claw through cracks. The ladder? Not escape but a bridge between realms—between the sacred and the slaughtered, the remembered and the erased. This isn't nostalgia—it's an autopsy of coexistence

Cow: Cultural sanctity, maternal care, and sacrifice—transformed from living subject to symbolic object.
Speaker: The industrial amplification of a silenced voice—a surreal critique of how animals must "speak" in unnatural ways to be heard.
Hand: Human intervention—could signify recording, controlling, or silencing.
Scroll: Lost traditions or memories preserved through images—like cave drawings or folk stories.
Hut & Black Window: Nostalgia, rural purity, and the unseen gaps between memory and modernity.
Plants & Ladder: Nature’s persistence and a possible escape or connection between worlds.

Print Making

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